For more than 30 years, Hillsong Worship has shaped contemporary Christian music through scripture-inspired songs that have become global anthems, including Shout to the Lord, Mighty to Save, Hosanna, and the Grammy-winning What a Beautiful Name. Their gatherings are celebrated not only for world-class production but also for creating powerful moments of hope, healing, and spiritual renewal.

The Kota Kinabalu concert represents a major milestone, bringing Hillsong Worship to East Malaysia for the first time. With Sabah’s strategic location, the event is expected to attract worshippers from neighbouring Brunei, Indonesia, the southern Philippines and Sarawak, making it a regional celebration of faith and unity. Meanwhile, the Kuala Lumpur performance promises a nostalgic reunion for generations of fans who have followed the group’s ministry over the years.

Organised by Star Planet, the Malaysian concerts form part of a wider Asia tour spanning Indonesia, Singapore and the Philippines. Tickets are available through the official ticketing partner, promising an unforgettable evening of worship, music and community.

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Founded by Miss Chinese World President, Tan Sri Datuk Danny Ooi, the pageant continues to serve as an international platform dedicated to promoting Chinese culture, values and traditions while fostering peace, goodwill, friendship and tourism among participants from different countries and regions.

Guided by the theme “One Heritage, One World, One Crown”, the finalists demonstrated not only beauty and elegance, but also a strong appreciation for their cultural roots throughout their journey in Malaysia.

During their stay, the finalists participated in an extensive programme of tourism, cultural, corporate and community engagement activities, providing them with an immersive experience of Malaysia’s rich heritage, vibrant urban lifestyle and its multicultural society.

As part of the cultural itinerary, the finalists visited heritage landmarks including Chan She Shu Yuen Clan Ancestral Hall and explored some of Kuala Lumpur’s most iconic attractions, including Merdeka Square and the Petronas Twin Towers. These visits enabled the finalists to promote Malaysia’s cultural heritage and tourism attractions to audiences worldwide while celebrating the enduring traditions of Chinese culture.

The finalists also participated in a series of sponsor engagement activities and official appearances with Royal Scent, Miss Malaysia Café, TOYM Wardrobe, Mercato Hypermarket @ TRX Kuala Lumpur, Taxman Malaysia, Kangen Power Sdn Bhd, OE EduGroup and Dragon Ginseng Bio-Tech. Through product experiences, culinary showcases, fashion presentations, talent performances and brand engagements, the delegates gained valuable exposure to a diverse range of Malaysian brands and industries while strengthening connections with the pageant’s valued partners.

In line with the pageant’s commitment to social responsibility, the finalists also took part in a Corporate Social Responsibility (CSR) programme at Grace Home Klang, where they spent meaningful time interacting with residents through games, performances and community activities.

The Grand Final was further enhanced by special performances from guest artistes, Fatimah Noryyah, Martin Looi, METEOR 張光銘 and Vivian Lea, who entertained the audience with a vibrant showcase of music and stage performances throughout the evening.

The successful conclusion of the Miss Chinese World 2026 Grand Final marked a new chapter in the pageant’s legacy, reinforcing its dedication to celebrating and preserving Chinese heritage while fostering cultural exchange, friendship and mutual understanding among communities around the world.

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According to Billboard, the tour will encompass 31 stadium shows across Asia, North America and Europe, reaffirming BIGBANG’s enduring influence as one of K-pop’s most celebrated acts. The group is set to kick off the tour in August 2026, following their appearance at Coachella earlier this year, which served as a symbolic prelude to their grand return.

Malaysian V.I.Ps have an additional reason to celebrate, with Kuala Lumpur confirmed as one of the Southeast Asian stops. BIGBANG is scheduled to perform in TM National Stadium on January 9, 2027, making it their long-awaited return to Malaysia and one of the most anticipated concerts on the local entertainment calendar.

The announcement has ignited excitement among fans worldwide, many of whom have waited years for the group to reunite after pursuing solo endeavours and navigating mandatory military service. Since their debut in 2006, BIGBANG have played a pivotal role in shaping the global K-pop phenomenon, delivering iconic hits such as Fantastic Baby, Bang Bang Bang, Haru Haru and Blue.

The upcoming tour not only celebrates two decades of music and cultural influence but also signifies a new era for the group. Their previous Alive Galaxy Tour attracted approximately 800,000 fans worldwide and set new benchmarks for Korean artists on the international concert circuit.

With stadiums around the world preparing to welcome one of K-pop’s most influential acts, BIGBANG’s return promises to be more than just a reunion—it is a celebration of a legacy that continues to resonate across generations of music lovers.

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The singer’s highly anticipated performance at the California-based festival marked a defining moment in his career, signalling what many believe could be the beginning of a new era. Having spent recent years largely out of the touring spotlight, Bieber’s return was met with immense excitement, drawing both longtime fans and industry attention.

Taking to the stage across both weekends of Coachella, Bieber delivered a set that blended his signature hits with newer material, creating a performance that was equal parts nostalgic and forward-looking. While his stripped-backstage presence and minimalistic production sparked mixed reactions, the emotional weight of his return was undeniable. The moment reaffirmed his enduring influence in global pop culture—and, more importantly, reignited conversations about what might come next.

What truly sent fans into a frenzy, however, were the subtle yet strategic hints that followed. At the close of one of his sets, Bieber reportedly told the crowd, “See y’all soon,” a remark that many interpreted as a teaser for upcoming tour plans. Almost simultaneously, a newly verified social media account tied to “Swag World Tour” began surfacing online, posting cryptic content that quickly gained traction among fans.

Further fuelling the speculation, Bieber’s official website now encourages visitors to sign up for updates—prompting many to believe that an announcement could be imminent. While no official confirmation has been made, the alignment of these signals suggests that preparations for a large-scale global tour may already be underway behind the scenes.

If realised, the tour would mark Bieber’s first major international outing since his Justice World Tour was cancelled in 2022 due to health concerns. At the time, the decision to step back from touring was widely supported, as the singer prioritised his well-being. Since then, he has maintained a relatively low profile, focusing instead on music releases and personal projects.

In recent years, albums such as Swag and Swag II have kept his presence alive in the charts, but a full-scale tour has remained notably absent—until now. His re-emergence at Coachella has therefore been interpreted not merely as a one-off performance, but as a calculated reintroduction to live audiences worldwide.

Unsurprisingly, fan communities—known globally as “Beliebers”—have taken to social media to piece together clues, with theories ranging from potential tour dates to city line-ups. The excitement has been palpable, with many expressing hope that Southeast Asia, including Malaysia, could be included in the itinerary.

For now, the “SWAG World Tour” remains unconfirmed. Yet, the combination of a high-profile festival comeback, coordinated online teasers, and renewed public engagement paints a compelling picture. Bieber, it seems, is not just returning—he is preparing for something bigger.

As anticipation continues to build, one thing is clear: should the rumours materialise, the global music scene may soon witness one of the most significant pop tours in recent memory.

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“BTS WORLD TOUR ‘ARIRANG'” is poised to be a worldwide phenomenon, featuring 82 shows in 34 regions. The reunion has had a powerful start, with 18.4 million tuning in online to “BTS THE COMEBACK LIVE｜ARIRANG” on 21 March in the heart of Seoul. Visa data also showed foreign travel to South Korea surged over 25% on the week of the concert compared to an average week, while travel spending climbed around 20% from an average week, showing that BTS is as much a magnet for music fans worldwide as they are a springboard for tourism wherever they go.

As Worldwide Tour Sponsor for “BTS WORLD TOUR ‘ARIRANG'”, Visa brings its trusted global network to a truly worldwide celebration, enabling a global audience to access the tour through seamless and secure payments. With “BTS WORLD TOUR ‘ARIRANG'” hitting eight cities in Asia Pacific – Kaohsiung, Bangkok, Kuala Lumpur, Singapore, Jakarta, Sydney, Hong Kong, and Manila – Visa cardholders stand to win complimentary tickets through Visa and its issuing partners in these markets and enjoy an upsized Visa presence at the concerts with special merchandise and booths.

Danielle Jin, Senior Vice President and Chief Marketing Officer, Asia Pacific at Visa said, “When it comes to music, few inspire the world as much as BTS. Every step in their journey is marked by passion, creativity, and a determination to make great music. It is their pursuit of excellence and connection that brought them to the pinnacle of pop, aligning perfectly with Visa’s belief that the small and deliberate choices we make every day define success. Visa is thrilled to bring seamless and secure payments to the “BTS WORLD TOUR ‘ARIRANG'”, enabling anyone to be part of the moment at the biggest music reunion in the world.”

Visa champions the moments that bring fans closer to the passions they love, from sports and music to fashion and entertainment. Guided by a fan-first approach to partnerships, Visa designs experiences that deepen connection and make participation seamless, secure and accessible for audiences around the world. Through high impact partnerships, Visa helps shape cultural moments while enabling effortless, cross-border commerce. Visa’s partnership with “BTS WORLD TOUR ‘ARIRANG'” builds on its affinity with music and K-pop such as MAMA AWARDS, the world’s no.1 K-pop awards, allowing it to create more meaningful experiences that bring fans closer to the artists they love.

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The unprecedented collaboration marks the first time the industry’s “Big Four” agencies have formally united on a project of this scale, signalling a new era of cooperation within the highly competitive K-pop sector. According to multiple Korean media reports, the companies are currently in the process of establishing a joint venture corporation to oversee the development and execution of the festival.

The festival name Phenomenon combines the words “fan” and “phenomenon”, reflecting its ambition to create a global cultural movement driven by K-pop fandom. The project is part of a broader vision championed by J.Y. Park in his role as chairman of South Korea’s Presidential Committee on Popular Culture Exchange. He first unveiled the concept during the committee’s inauguration in 2025, describing it as a mega-event intended to elevate Korean pop culture to new heights.

Positioned as a potential Asian counterpart to globally renowned music festivals such as Coachella, Phenomenon is envisioned to become a world-class entertainment platform showcasing the very best of K-pop on an international stage. J.Y. Park has reportedly outlined plans for the event to surpass traditional music festival formats by combining large-scale performances with immersive fan-driven experiences.

Current plans suggest that the inaugural edition of Phenomenon will debut in South Korea in December 2027 following an extensive preparation period. The organisers then aim to expand the concept into a travelling global festival brand beginning in 2028, with editions planned for major cities around the world.

Industry observers have described the initiative as a transformative step for K-pop’s business model. Rather than relying solely on concerts, album sales and merchandise, the festival seeks to establish a broader cultural ecosystem akin to major international music festivals that drive tourism, city branding and lifestyle engagement.

While the collaboration has generated significant excitement, the participating companies have stated that the project remains in its early planning stages. Legal and administrative procedures, including regulatory filings with South Korea’s Fair Trade Commission, are currently underway as the agencies finalise the operational framework of the joint venture.

If successful, Phenomenon could represent one of the most ambitious undertakings in K-pop history — not merely as a music festival, but as a global cultural export platform that further cements South Korea’s influence in the international entertainment landscape.

With the combined star power of artists from HYBE, SM, JYP and YG under one banner, Phenomenon is already being hailed as one of the most anticipated entertainment projects of the decade.

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For its 9th edition, taking place from 18 to 25 July 2026, MIFFest unveiled its key highlights at an exclusive press conference held at PARKROYAL COLLECTION Kuala Lumpur. Opening once again at MyTOWN Shopping Centre with GSC International Screens, and supported by FINAS, the festival reaffirms its role as a leading platform for cinematic exchange in the region.

RESONANCE: Where Stories Transcend Borders and Generations

The 9th edition of MIFFest introduces its theme, Resonance, as envisioned by Joanne Goh, Founder and President of MIFFest, who frames cinema as a force that continues to move through us long after the final frame.

In a time when the world reveals its fragility through environmental strain, social fracture and widening disparity, films must do more than inform or entertain, they must echo with meaning, urgency and emotional truth. Resonance positions cinema as a living exchange, where stories extend beyond the screen into the conversations they provoke, the empathy they cultivate and the moral questions they refuse to settle, reverberating quietly, then powerfully, across borders and generations.

A Chorus of New Voices: MIFFest Ambassadors 2026

Joining this year’s line-up are Jack Tan and Zizan Razak, bringing fresh energy and new perspectives to the festival. They stand alongside Daiyan Trisha, returning for her second year, and Bront Palarae, who continues his longstanding journey with MIFFest for the seventh consecutive year.

Together, this cross-generational group embodies the evolving spirit of Malaysian cinema, bridging artistry, industry and audience in meaningful ways.

ASEAN On Screen Returns, Extending Its Reach Beyond Borders

Following its successful debut, ASEAN On Screen returns for its second edition at MIFFest 2026, continuing its mission to celebrate Southeast Asian storytelling and strengthen regional collaboration.

Introduced by MIFFest, the initiative reflects a shared belief in cinema’s power to amplify voices and bring Southeast Asia’s rich cultural landscape onto the global stage. First launched in 2025 alongside Malaysia’s ASEAN Chairmanship, it celebrates the region’s distinct cinematic identity and spirit.

Through curated screenings, industry forums and networking sessions, the programme brings together stories and perspectives from ASEAN countries, fostering dialogue on collaboration, identity, and the future of regional storytelling. It serves as a platform for filmmakers, industry professionals and cultural partners to connect and collaborate.

As highlighted by Dato’ Azmir Saifuddin Bin Mutalib, CEO of FINAS, MIFFest has evolved into a strategic cultural platform connecting Malaysia to regional and international networks, with initiatives like ASEAN On Screen driving greater visibility, collaboration and growth within the Asian film ecosystem.

FOCUS ON ASEAN COUNTRIES, Presented by MIFFest

Extending Southeast Asia’s Cinematic Voice to the Global Stage

Building on the momentum of ASEAN On Screen, MIFFest expands its regional vision through a strategic collaboration with the Asian World Film Festival (AWFF 2026).

As part of this partnership, AWFF will introduce a dedicated segment, “Focus on ASEAN Countries, Presented by MIFFest”. Selected ASEAN films curated under ASEAN On Screen will travel to AWFF, extending their reach to wider international audiences and creating new opportunities for filmmakers to engage with the global industry.

More than a showcase, this collaboration reflects a shared commitment to strengthening Southeast Asia’s cinematic presence, fostering cross-border dialogue, and building a more connected and inclusive film ecosystem.

The Collaboration Continues with FEFF

MIFFest continues to strengthen its long-standing collaboration with the Far East Film Festival (FEFF), marking the fifth year of partnership in 2026. This enduring alliance reflects a shared commitment to elevate the global presence of Malaysian cinema while deepening connections between regional and international film communities. By combining networks, resources and curatorial expertise, both festivals work in tandem to bridge Eastern and Western industries, fostering a more dynamic and inclusive space for cinematic exchange.

As part of this year’s collaboration, MIFFest will support the selection and presentation of a Malaysian film at FEFF 2026, offering a valuable platform for local stories to reach wider international audiences.

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After a breakout year defined by growing momentum and mounting anticipation for original music, “Complicated” marks a pivotal moment in Samone’s journey – from standout vocalist to fully realised recording artist. Following a fan favourite run on American Idol and headlining tour (Gabby Samone: Live at City Winery) among other recent milestones, Samone officially steps into her next era with a song that introduces her stunning vocals and artistry on her own terms.

Co-written by Gabby Samone alongside YXSH, Jonathan Ball, and Cornell Showell, and produced by YXSH and Mike “gaddii” Saunders, “Complicated” explores the relatable push-and-pull of revisiting a love that once caused heartbreak. Lyrics like “Questions, like will we make it this time/Is it worth the rewind” capture Gabby’s vulnerability and honesty, underscoring why she is establishing herself as one of R&B’s most compelling new artists.

Emerging as one of the most compelling new vocalists of her generation, Gabby Samone first gained widespread attention as a viral sensation through her refined reinterpretations of R&B classics by her musical idols. Her rendition of Aaliyah’s “I Care 4 U,” shared during They Have The Range’s #TheMissyChallenge, earned significant acclaim. She later reached a broader global audience with her viral performance of Mariah Carey’s “My All”, which resonated across Instagram and TikTok during the #MyAllChallenge. Her performances and covers have earned praise from music legends including Mariah Carey, Jennifer Hudson, Fantasia Barrino, J. Cole, Jhené Aiko, Missy Elliott, Brandy, SWV, XSCAPE and more.

Raised in a musically gifted household in Baltimore, MD, Samone discovered her love for music in the gospel harmonies of her church choir, which laid the foundation for her powerful vocal range and emotional delivery. Blending her gospel roots with classic soul and modern R&B, her sound will resonate with both longtime R&B lovers while connecting with an entirely new generation of listeners.

Kicking off with “Complicated,” Gabby Samone is carving out her place as a new breakout voice in R&B, with a steady stream of new music planned for release throughout 2026. Fans can also catch Gabby delivering her first-ever national television performance of “Complicated” on The Kelly Clarkson Show airing Wednesday, January 14.

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Since its debut in 2024 at the purpose-built OUTRIGGER Theater at the OUTRIGGER Waikīkī Beachcomber Hotel, ‘Auana has redefined what it means to merge world-class entertainment with authentic cultural storytelling. The groundbreaking show seamlessly blends Cirque du Soleil’s signature acrobatics and theatricality with Hawai’i’s traditions, artistry and deep sense of aloha – creating an experience that honours the past while sharing the spirit of the islands with the world.

“‘Auana was built on a foundation of deep cultural collaboration, and seeing it resonate with locals and visitors over the past year has been incredibly meaningful,” said Dr. Aaron J. Sala, Cultural Creative Producer. “Every performance is an opportunity for us to honour Hawai’i’s stories with sincerity, respect and artistry, and we’re humbled that the community embraces the show.”

Over the past year, nearly 275,000 guests have experienced the magic of ‘Auana, and the company is excited to continue creating memorable experiences for both visitors and the local community.

“‘Auana has become part of the fabric of Waikīkī and its success is a testament to the power of collaboration and the beauty of sharing Hawai’i’s stories with the world,” said Sean Dee, EVP and Chief Commercial Officer of OUTRIGGER Resorts & Hotels. “We are incredibly proud to host this production at the OUTRIGGER Theater and to see both visitors and kama’āina embrace it.”

‘Auana was created in collaboration with local cultural leaders, practitioners and artists – a foundation that continues to guide the show’s creative integrity and connection to the community.

‘Auana was created to celebrate Hawai’i’s culture—through hula, live local music, and Cirque du Soleil’s signature creativity,” said Duncan Fisher, Chief Show Operations Officer of Cirque du Soleil. “One year in, the success of the show has exceeded all expectations, and we’re grateful to our partners, our team, and the audiences who’ve supported us.

To honour this milestone, a series of special events and activations will take place throughout the week, reflecting the show’s guiding principles of cultural integrity, community appreciation and sharing the Aloha Spirit with the world.

Over the past year, ‘Auana has continued to earn national attention, including recent features on the TODAY Show and The Jennifer Hudson Show, highlighting the production’s cultural significance and artistic innovation. The show has also attracted an impressive roster of celebrity attendees, including Dwayne “The Rock” Johnson, Pierce Brosnan, Nicole Scherzinger, Gabriel Iglesias and many more.

Its cast, representing 11 countries, embodies the global spirit of Cirque du Soleil while honouring Hawai’i’s traditions through every performance. Beyond the stage, the production has strengthened its ties to the islands through meaningful community engagement, including volunteer work with Pāhonu Fishpond in Waimānalo and Ka Papa Loʻi o Kānewai at the University of Hawaiʻi at Mānoa, as well as community performances at ‘Iolani School and Shriners Children’s Hospital.

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Maybelline New York, the number one makeup brand in the world, is kicking off the holiday season with the debut of “Maybe This Christmas,” a new five-part microdrama starring the beloved duo Lacey Chabert and Dustin Milligan who captured hearts in one of last year’s most iconic festive films. The series taps into the rising cultural momentum of microdramas and the timeless appeal of seasonal storytelling.

Reuniting the fan-favourite co-stars, “Maybe This Christmas” delivers a playful twist on holiday romance while spotlighting Maybelline’s award-winning Instant Eraser as the ultimate “holy grail” product. Spanning over five cinematic episodes, the microdrama follows two neighbours whose budding flirtation across their NYC windows takes an unexpected turn. What begins as a cozy winter love story quickly unravels into a mystery about love, illusion, and what we choose to conceal, leaving viewers wondering if Lacey is hiding more than just dark circles under her eyes.

“This holiday season, we’re excited to bring a fresh, dynamic storytelling approach to life with ‘Maybe This Christmas,'” said Yasmin Dastmalchi, President of Maybelline U.S. “By naturally incorporating Instant Eraser Concealer into the micro-drama series, we’re able to elevate a product that’s been a true staple for our consumers in a way that feels playful and creatively-driven. This project reflects how we continue to evolve as a brand – leaning into the joy and spirit of the season while showing up in moments that shape culture and deepen connection with our community.”

“There’s something so magical about holiday storytelling, and getting to reunite with Dustin to bring this microdrama to life was incredibly special,” said Lacey Chabert. “‘Maybe This Christmas’ is the perfect bite-size escape for the season. I’m excited Maybelline approached this campaign with so much creativity and I can’t wait for everyone to watch the story unfold.”

Created in partnership with Ryan Reynolds’ entertainment company, Maximum Effort, “Maybe This Christmas” highlights the brand’s viral multi-use Instant Eraser Concealer – celebrated for its brightening coverage, creamy hydrating texture, and effortless blendability. With buildable medium-to-full coverage and a natural, skin-like finish, the formula offers up to 12 hours of comfortable wear. It’s crease-resistant, non-comedogenic, and suitable for a wide range of skin types.

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